Matthew Avignone
95% Original Content

website | there's just no telling | facebook | flickr
logo
+
+
Install under way for @carlosjavierortiz upcoming show #WEALLWEGOT opening next Friday @davidweinbergphotography #stoked
+
shihlun:

A protester walks in tear gas fired by riot policemen after thousands of protesters blocking the main street to the financial Central district outside the government headquarters in Hong Kong September 28, 2014.
+
shihlun:

Hong Kong protesters used a blanket of umbrellas to protect themselves as police fired tear gas.
Photo by Alex Ogle
+
shihlun:

Hong Kong chief executive CY Leung being carrying around in Admiralty by protesters.
Photo by Eric Rechsteiner
+
Pictured Rocks, MI
+
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
fototazoetc:

lostinpublications:

The house is quiet. They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights. It feels like the house has finally turned on its side to fall asleep. Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark. It was a magical time that the house was mine.
Tonight, however, I am restless. I sit at the dining-room table; rummage through the refrigerator. What am I looking for?
All day long I’ve been scavenging, poking around in rooms and closets, peering at their things, studying them. I arrange my rolls of exposed film into long rows and count and recount them as if they were lost. There are twenty-eight.
What drives me to continue this work is difficult to name. It has more to do with love than with sociology, with being a subject in the drama rather than a witness. And in the odd and jumbled process of working everything shifts; the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows. I realize that beyond the rolls of film and the few good pictures, the demands of my project and my confusion about its meaning, is the wish to take photography literally. To stop time. I want my parents to live forever.
Larry Sultan: An excerpt from Chapter One of Pictures From Home, 1992

Post: KT

One of the best books of all time. 
+
Pictured Rocks, MI
+
Super Moon
+
Pictured Rocks, MI
+
Twelve Mile Beach
+
Pictured Rocks, MI
+
Pictured Rocks, MI
+
Somewhere in the U.P. 
+
Mosquito Falls